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September 2003

Sunday, September 07, 2003

NYRSF Editorial 182
Fall 2003: Pileup

We are back from Worldcon and have immediately turned to putting together this NYRSF issue. Torcon came in second in modern history (after New Orleans) in Worldcon disorganization, and as in New Orleans, we had a good time anyway. The staffers were invariably polite and always tried hard to be helpful and fix problems, and were kept mighty busy fixing them by all appearances. Kathryn is planning to write a piece on child care at sf conventions in general, sparked by our generally unsuccessful experiences at recent conventions. And we were in the luxury hotel attached to the convention center, but the bar and restaurant were closed for construction, sigh. The weather was in general great, though; the drive from Westchester county was beautiful; and we came in third as Best Semiprozine in the Hugos, a good showing. And I only lost to Gardner Dozois by eleven votes in the Best Editor category.

A particularly fine aspect of the trip was that we got to do many of the things we had planned, and missed, for our cancelled trip in June. We stayed for a couple of days with Rob Sawyer and Carolyn Clink before the convention, went to dinner at the home of Terry Green and Merle Casci, and at the home of Karl and Janice Schroeder, and visited with Peter Watts. I also spent part of a day at the Merril Library academic conference on sf organized by Alan Weiss, where Margaret Atwood gave a speech and was on a panel‹not quite the ALA and the SFRA, but still satisfying. And I wish to note that Margaret Atwood was an active, gracious, and provocative participant, with many good things to say about sf, which she reads and has written (though she uses that term to describe neither The Handmaid¹s Tale nor Oryx and Crake‹in her lexicon, those are in the dystopian and scientific romance traditions respectively).

Peter Hartwell entered first grade the day after we returned, and baby Elizabeth starts morning daycare Monday. With these changes, we begin a new stage of life again. I am sure that when things settle down, we will look back on this week after our return as a pleasant interlude between crises, when merely frantic multitasking was required of us. Kathryn got a fever and went on antibiotics (of course, this required her to endure the local anti-SARS protocol on Friday).

I apologize to subscribers and others who emailed or sent letters between May and August. A lot of them got misplaced just before and after my angioplasty. In early August, I began to find lost work, unanswered letters and orders, uncashed checks, and other embarrassments, and have dealt with them as speedily as possible. I am a bit scared when I realize that I was as inefficient a month before the operation as a month after. Boy, am I living clean now!
Other NYRSF staffers are going through transitions now too: job-hunting, beginning teaching, entering graduate school. So, many of our volunteers are a bit unreliable just now in regard to showing up for NYRSF meetings. And I suspect that more than a few of our reviewers are in the same boat‹otherwise they would be sending in their reviews.

Meanwhile, we are just buried and overwhelmed by catch­up tasks, and are looking to hire some part time help right away for filing, cleanup, and organization. We are putting up signs in the local library hoping to attract a local student to work. But if you are willing, or know anyone willing, to volunteer for some work for a day or two, or more, here in Pleasantville in October or November, contact us.

And we¹ll see some of you at Albacon and at World Fantasy Con in October.

About David G. Hartwell

Praise for
David G. Hartwell


  • The Science Fiction Century

    "Over the past quarter century, Hartwell has built a well-deserved reputation in SF, fantasy and horror as an editor extraordinaire. In addition to discovering many of the leading luminaries in the genre, he has produced a pool of anthologies that attept to stand as definitive volumes. The Science Fiction Century is another such successful landmark collection."—Publishers Weekly

    "A superb survey for the uninitiated and a definitive sampler for confirmed fans."—Booklist

    "This ranks as one of the definitive anthologies of the genre—and it makes the perfect introduction to the field of science fiction. . . . The Science Fiction Century shows great breadth and range. . . . Editor Hartwell succeeds by including a wide range of authors, styles, and themes."—The Des Moines Register

    "This is a book filled with familiar treasures and a great way to introduce a skeptic to the field."—Science Fiction Chronicle

    Visions of Wonder

    "This volume demonstrates the fact that science fiction is alive and well in the ’90s. . . . The editors are to be congratulated for producing work that will be useful both within the classroom and without. But even more remarkable is how much fun it is to read. They have gathered a collection of contemporary stories that is challenging, engaging, provocative, but above all rewarding. . . . The result is a delight for fans of the genre as well as a treasure trove for teachers. . . . Visions of Wonder is a fine addition of any science fiction collection."—VOYA

    "A historic anthology of great value."—The Edmonton Journal

    "The editors know their stuff. . . . Is this an anthology which you would recomend to a person who has never read any science fiction? The answer is a resounding yes from all corners. If you yourself have wondered what you might have missed over the past twenty years, then you may want to at least take a look at the table of contents. If you have a friend or a relative who keeps asking you why you read that ‘SF’ stuff, then toss this at them. Hartwell and Wolf set out to create an anthology that would represent the field and they ended up producing something that not only does that, but is fun to read to boot."—Age of Wonder

    Northern Stars

    "Canadian sf is clearly a force to be reckoned with. . . . Cross the border—though it’s only the next country over, Canadian sf offers some unique pleasures you won’t find at home."—The Magazine of Fantasy & Science Fiction

    "Northern Stars is a great opportunity to experience that distinctive other North American point of view."—The Washington Post Book World

    "Replete with some of the best SF to be published anywhere in the last ten years. . . . As a primer on where Canadian scinece fiction and fantasy, Northern Stars is unbeatable."—SF Site

    Northern Suns

    "Pleasingly eclectic and worth a try for story fans."—Kirkus Reviews

    "Demonstrate[s] the vitality and eclectic thrust of Canada’s brightest and best authors of speculative fiction. A good addition to most sf or short story collections."—Library Journal

    "[Hartwell and Grant] show that Canadian science fiction is alive and well and living north of the border."—SF Site

    "[A] fine collection . . . an impressive range of stories."—Vector

    "An excellent introduction to some of the rising stars in contemporary Canadian science fiction."—The National Post (Canada)

    "A cross-section of the best contemporary stories ranging from hard SF to visionary fantasy, and from the horrifying to the totally hilarious. . . . captivating and haunting."—VOYA

    "Outstanding fiction."—Foundation

    Centaurus

    "Not the first volume of Australian SF but by far the most significant. . . . A substantial and impressive showcase. If you considered Australia too remote and sparsely populated to be science fictionally important—well, think again."—Kirkus Reviews

    "The wordcraft and imagination at play in this collection of 20 SF stories by Australian writers is quite extraordinary. The book is full of gorgeously imagined scenes on a transgalactic scale and challenging extrapolations of cutting-edge science. Hidden in the grandeur are meditations on the meaning of reality, motherhood, the social worth of religions, and gender dominance. . . . There is enough of the quotidian, charming and homey to ground all this exotica, and there are a few neat japes. . . . Broderick’s introduction is itself a fine and illuminating piece of writing, and his and Hartwell’s profiles are unusally personal. It may arise from Down Under, but this anthology is a world-class treasure."—Publishers Weekly (starred review)

    "Tired of seeing the same names in anthology after anthology? Here’s a chance for a break, a big collection of twenty SF stories by writers from Australia. . . . One of your best anthology bets of the year."—Science Fiction Chronicle

    "There is a wealth of neat, stylish SF between these covers."—San Diego Union-Tribune

    "Centaurus demonstrates that the best Australian SF is as good as the best written anywhere. . . . While Broderick and Hartwell point out that Centaurus isn’t the first anthology to attempt to collect Australia’s best science fiction, its publication is without question a significant event. It succeeds brilliantly both as a wonderful collection of great stories and as a document of the development in SF ina country whose writers are becoming increasingly important in the SF field. A+"—Science Fiction Weekly

    "Broderick and Hartwell have assembled a book that will be published to coincide with the third World Science Fiction Convention to be held in Australia, and one that is intended to give non-Australian readers an overview of Australian SF. As such, it succeeds, and succeeds admirably. Highly recommended."—Locus

    "A group of fine stories by authors who deserve to be better known on this side of the world."—Locus

    "In population terms, Australia is a small country; in literary terms, it consistently punches above its weight. This anthology is proof enough of that."—Interzone